GRiZ

Artists similar to Griz: The Floozies, Exmag, Gramatik

 

 

  @MyNameisGRiZ

 

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GRiZ – Summer ’97

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GRiZ – Feelin’ High

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GRiZ – The Moment Seizes Us

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GRiZ combines jazzy instrumental grooves with vintage vocal samples and seductive saxophone drops to provide a soulful journey into the exploration of musical expression. GRiZ is an American electronic music artist also known as Grant Kwiecinski (born May 31st, 1990) from Detroit, Michigan. GRiZ had learned to play the Alto Saxophone and piano at a young age. At 14 years old, he fell in love with hip-hop instrumentals and electronic dance music.

From funky grooves to jazzy melodies, GRiZ’s inventive style to fuse his own saxophone instrumentals with his love for soulful electro tunes has helped his talent stand out from all the rest. GRiZ’s style creates bass infused hip-hop, electro soul, and future funk sounding productions often accompanied by the live performance and recording of his Alto Saxophone and the use of an array of vinyl samples.

 

The State News reported, “Former MSU student Grant Kwiecinski took control of his future when he decided to postpone his college education and focus on a music career. In his mind, Kwiecinski said, it was now or never.” Kwiecinski said to The State News,

“Things don’t just happen, we make our own destiny.” -GRiZ

GRiZ debuted his first full-length album late summer on Sept 4th ’12 titled “Mad Liberation” that has garnered him major buzz and exposure worldwide, racking up over 40,000+ downloads within it’s first 2 weeks of being released. Although music has become his career, GRiZ has provided listeners with a free download of his most recent album, “Mad Liberation.” While this decision could potentially jeopardize his profit, Kwiecinski said it’s a worthy sacrifice to be able to have his music shared. He said to The State News,

“It’s important for music to be heard and shared,” he said. “It’s spiritual, and I don’t want to put a price on that.” -GRiZ

With the summer being filled with some huge festival performances including some notable shows at Electric Forest, Coachella, Movement (Detroit Electronic Music Festival), and Summer Set. He also joined Gramatik for his Digital Freedom tour, as well as some spread-out small headline dates in the mix. Fall 2012 for GRiZ was pretty eventful, jumping on Big Gigantic and Bassnectar’s tours, then off playing a small run of his own intimate headline shows across the nation so keep an eye out for him in your area!

 

Big Gigantic

Artists similar to Big Gigantic: STS9, Paper Diamond, Opiuo

  @BigGigantic

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Big Gigantic – Touch the Sky

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Big Gigantic – Fantastic

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Big Gigantic – Get On Up

Are you ready to get funked up with Big Gigantic’s groovy-electro sound? Big Gigantic mixes electronic roots with funk, jazz and dubstep influences. Big Gigantic is an instrumental electronic group based out of Boulder, Colorado consisting of Dominic Lalli (saxophone) and Jeremy Salken (drums). Both members have extensive backgrounds in music, and Lalli holds a Master’s Degree from the Manhattan School of Music. Big Gigantic is known for their high energy performances including live saxophone and drums instrumentation. The group’s dynamic visuals at their lightshows are a prominent part of the live Big Gigantic experience.

From playing at small venues around Colorado, to instantaneously headlining shows throughout the country and hitting major festivals, Big Gigantic showcases an amplified array of compositions that combine elements of DJ production and a live band that leaves fans from coast to coast in awe. hey have played at a wide-range of large-scale music festivals, including Bonnaroo, Wakarusa, Ultra Music Festival, All Good Music Festival, Electric Forest Festival, Summer Camp Music Festival, Snowball Music Festival, and Global Dance Festival, and many others. Big Gigantic has opened up for groups like Pretty Lights and Bassnectar.

Big Gigantic is among one of the few groups that releases their music for free downloads on their website. Their most recent album “Nocturnal” is also available for full download on their website as well. In a TheKollection.com interview the group stated:

“We like having our music accessible to everybody, no matter how they get their music – torrents, iTunes, blogs, whatever. We want it there for people.” -Big Gigantic

Lalli has a Masters degree in saxophone jazz performance and has been making music for nearly 15 years. The duo used to live together and would do jazz and funk gigs around town in Colorado. After a little dabbling into music production software on the computer, they started making beats together blending electronic music with live sax and drum instrumentals.


They have been refining their sound into a genuinely unique fusion of saxophone melodies, acoustic drums and bass-heavy electronic music production. Their newest album, Nocturnal was released in January 2012. Their style cannot be classified into a single genre, but an exceptional variety of glitch, dubstep, drum & bass, and jazz that combines to form the essence of a funky groove.

RJD2

Artists similar to RJD2: Ratatat, Wax Taylor, The Xx

  @RjD2

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RJD2 – Smoke & Mirrors

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RJD2 – 1976

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RJD2 – Ghostwriter

Rjd2’s music is a collage of hip-hop production that combines disparate elements to make for soulful, moody portraits of the world. RJD2 (born Ramble John “RJ” Krohn on May 27, 1976) is an American music producer, singer and musician. His sound is comprised of east coast hip-hop roots fused with funk and rock influences. RJD2 was born in Eugene, Oregon; and raised in Columbus, Ohio. He currently resides in Philadelphia. He was signed to the Definitive Jux label where he released two largely instrumental hip hop albums and has produced tracks for many prominent rappers. However, he has now left Def Jux and has signed with XL Recordings. His 2007 album, The Third Hand, is a striking departure from his usual style and features RJD2 singing and playing instruments on nearly every track.

RJD2 originally began his career in Columbus, Ohio, DJing in 1993 with a pair of turntables bought from a friend. He went to high school at Fort Hayes Metropolitan Education Center, where his mother taught dance, and graduated in 1994. He claims his name originates from another friend who referred to him as “Rjd2” in his raps, and the name stuck. Originally working the role of DJ in the Columbus rap group MHz, he later signed to Bobbito Garcia’s Fondle ‘Em label, releasing the self-proclaimed “mix CD” Your Face or Your Kneecaps. A year later he signed to El-P’s record label Definitive Jux and released his solo debut album Deadringer to much acclaim. Rjd2 later collaborated with Columbus rapper Blueprint under the name Soul Position, releasing Unlimited EP in 2002 and 8 Million Stories in 2003. He released his second solo album Since We Last Spoke on Definitive Jux in 2004 and released Soul Position’s second album Things Go Better with RJ and AL in 2006 under Rhymesayers Entertainment label. He still continues to produce tracks, working with many independent rappers, such as Copywrite, Cunninlynguists, Cage, DOOM, Diverse and Aceyalone. He contributed a cover of “Airbag” by Radiohead for the 2006 album “Exit Music”. 2006 also saw the release of the collaborative record “Magnificent City” with Aceyalone. In 2007, he released the solo album The Third Hand on XL Recordings, which he toured for extensively in ’07 and ’08.

In 2009, RJD2 established his own label, RJ’s Electrical Connections, and reissued Your Face Or Your Knee Caps, The Horror, and Since We Last Spoke as well as a box set entitled “2002-2010”. RJD2’s new full length The Colossus was released on January 19, 2010 on his own label, which is distributed by The Orchard. On January 7, 2010 a music video for “Let There Be Horns” premiered on Pitchfork followed by a video for “A Spaceship For Now” on March 3, 2010, directed by Michael Ebner, via SPIN Magazine. In 2010, RJD2 remixed indie rockers Yo La Tengo’s single, Here To Fall for the Here To Fall Remixes EP which included remixes by De La Soul and Pete Rock.

Gramatik

(Artists similar to Gramatik: RJD2, Sound Providers, Pete Rock)

  @Gramatik

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Gramatik – Itz Over

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Gramatik – DreamBIG

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Gramatik – Adriatic Summer Nights

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Kick back and relish in the solace of immaculately produced hip-hop beats and instrumentals made by Gramatik. His delightful musical style blends hip-hop roots with jazz, soul and blues influences. Gramatik’s ability to apply a hypnotic groove with layers of vocal samples, sounds, references, and metaphors has continued to fascinate those who have stumbled across his music. He is distinguished in his effort of using chordal patterning and tonal harmonies to create a clean and cohesive sound.

Denis Jasarevic, better known as Gramatik, is a hip-hop producer from Slovenia who is currently signed with the Pretty Lights Music record label. This Slovenian producer was heavily influenced by American music early in his childhood, absorbing anything from funk and jazz to soul and blues. When Gramatik was in the 2nd grade, he started taking piano lessons at his elementary school. He later received private piano lessons which opened his eyes to learn to play music like the Beatles and rhythm and blues in general. In the 4th grade, he formed a band with a few of his classmates and became the youngest band in the history of his elementary school while playing school events regularly.

As soon as Gramatik reached high school, the discovery of hip-hop music had taken over and he was compelled by the power of the rhythmically accented poetry. He studied the ways of an MC and started writing his own rhymes while his friends were amazed by his flow and delivery since there were no hip-hop artists in his home town of Piran, Slovenia. Throughout the years producing beats day by day he felt more compelled by the craft and magic of music production. It wasn’t long until he discovered a niche in sound and voice sampling which became his true love in the music making process, chopping up all those old funk, soul, blues and jazz tracks he used to listen to when he was younger.

Gramatik’s Beatz & Pieces Vol. 1 (album available for free download on Pretty Lights Music) is his first release on PML record label and builds on the mellow vibes created from his last release No Shortcuts and the Street Bangerz mix-tape series. Gramatik explains on the PLM website,

“The Beatz & Pieces series comes as a successor to the popular Street Bangerz series which was my first work as a producer. They are still raw, sample based beats, but with evolved arrangements and wrapped in a fine layer of live instrumentation. The reason I started adding live instruments is because I felt that classic hip-hop beats without vocals lose me after two minutes. I want to keep the listener through the whole track!” – Gramatik

Nightmares on Wax

Artists similar to Nightmares on Wax: Groove Armada, Massive Attack, Wax Taylor

 

 

  @NightmaresOnWax

 

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Nightmares on Wax – So Here We Are

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Nightmares on Wax – Keep On

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Nightmares on Wax – Be, I Do

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If you throw a little bit of acid jazz, funk and soul into a musical blender, the result is a rejuvenating chillout mix from Nightmares on Wax. This sound features downtempo roots with funk, soul and jazz influences. The name Nightmares on Wax is an acronym for NoW, as the music has been described as “the sound of N.O.W.” to exhibit pure honesty and artistic freedom.

 

Nightmares on Wax consists of a English based DJ, George Evelyn, also known as DJ EASE (Experimental Sample Expert). Evelyn got his start in the music industry through an interest in hip hop and on joining a local breakdancing crew. George Evelyn currently resides in Leeds, UK while he became one of the brightest spots on the post-rave British techno map since the early ’90s. Nightmares on Wax formed in the late ’80s in West Yorkshire as an extension of Evelyn and company’s b-boy crew the Soul City Rockers, NoW’s first singles, “Dextrous” and “Aftermath,” were both highly regarded as the latter shot into the U.K. pop singles Top 40. The singles laid down a good deal of the groundwork and inspiration for the downtempo experimental hip-hop/electro-funk artists in the following years.

 

After Nightmares on Wax dissapeared on a four-year hiatus, Evelyn resurfaced with a track on the Mo’ Wax Headz compilation and Smoker’s Delight basically an instrumental hip-hop album with a distinctively electro downtempo eclecticism. Evelyn stated in a press release,

“Soul music is the earliest form of hip hop. That’s why I want to create it. It might seem like recreating what was done in the past, but what I want to do is merge soul and hip hop together. That’s why I’ll bring in the live aspect of what happened back then into current hip hop trends. That’s the angle I’m arriving at.” -Nightmares on Wax

 

Nightmares on Wax produced the first new track by De La Soul in several years, included on an EP (Sound of N.O.W) featuring the rap pioneers. Following not far behind was a volume in the Studio !K7 mix series. Two years later, Evelyn delivered his fourth LP, Mind Elevation. A longer gap preceded the release of his next proper LP for Warp. The Though So album was released as the final album for Warp in 2008. Although Nightmares on Wax created a sound that is not easily classifiable, the distinct chillout sound is what makes this artist a true expert in the musical craft.

 

Thievery Corporation

(Artists similar to Thievery Corporation: Polish Ambassador, Dub Syndicate, Noiseshaper)

  @ThieveryCorpDC

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Thievery Corporation – Outernationalist

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Thievery Corporation – A Guide for I & I

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Thievery Corporation – Sun, Moon and Stars

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Break out the incense, simmer down and explore the chillout-lounge aesthetic created by Thievery Corporation. Thievery Corporation’s sound is comprised of mixing reggae-dub roots with electronic, jazz and bossa nova influences. The unsyncopated ensemble rhythms are layered over the sparkling clean sound of the reggae guitar, lead bassline, dreamy synth effects and horn sections. Thievery Corporation is known for their international style of music production that includes sounds and vocals from around the world. The international style of Thievery Corporation blends the global sounds with elements of conscious lyrics and vocal samples.


Thievery Corporation is a Washington D.C. based DJ duo consisting of Rob Garza and Eric Hilton. The group was formed in 1995 at Washington D.C.’s Eighteenth Street Lounge. Rob Garza and the lounge co-owner Eric Hilton created Thievery Corporation with the inspirations of their mutual love for club life as well as dub, bossa nova and jazz records. They both decided to take a shot at mixing all these styles in a recording studio. Surprised by the chill-lounge sound of their music production, Thievery Corporation and their Eighteenth Street Louge Music record label was formed.


Thievery Corporation has taken progressive political stances on various issues opposing war and exploitative trade agreements, while supporting human rights and food programs. The album titled, ‘Richest Man in Babylon’ reveals the group’s opposition to the positions and initiatives of the former president George W. Bush’s administration. They followed Babylon with 2005’s The Cosmic Game, which featured politically minded collaborations with Perry Farrell, Flaming Lips frontman Wayne Coyne, and David Byrne. In September of 2005, Thievery Corporation participated in the Operation Ceasefire concert, with the objective of increasing awareness to the devastation caused by the Iraq War.


In 2008, Thievery Corporation made awareness of the people’s resistance movements around the world with their album, ‘Radio Retaliation’ — setting an open mind type of approach with diverse sounds from Jamaica, Latin America, Asia, and The Middle East. Radio Retaliation, which questioned the profit-driven mentality of corporate media, earned Thievery Corporation a Grammy Award nomination for Best Recording Packaging. From their press release regarding their album Radio Retaliation, Garza said:

“Radio Retaliation is definitely a more overt political statement. It’s hard to close your eyes and sleep while the world is burning around you. If you are an artist, this is the most essential time to speak up.” -Thievery Corporation

Following ‘Radio Retaliation’, Thievery Corporation has released a sixth studio album in 2011, ‘Culture of Fear’ — a cinematic sounding exploration into psychedelic space rock which blends elements of funk and soul, with a bit of reggae-dub thrown in for a nice upbeat feel. Throughout the years, Thievery Corporation has provided a relaxing refuge for fans around the globe with their hazy sound collections and chill-out lounge atmosphere.

Below is a video released 2 months ago by Thievery Corporation w/ guest hip-hop artist Mr. Lif

Resources:

ThieveryCorporation.com

Mr. Scruff

(Artists similar to Mr. Scruff: Quantic, Wax Taylor, Jazzanova)

  @MrScruff1

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Mr. Scruff – Feel Free

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Mr. Scruff – Get a Move On

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Mr. Scruff – Get on Down

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Mr. Scruff is far from your ordinary DJ as he owns a tea brewing company, draws his own comics and animations while continuing to create music for over a decade. The playful break-beat rhythms of Mr. Scruff’s sound has attracted the buzz of DJs and critics alike. Mr. Scruff features subtle vocal samples thrown over repetitive loops and mixes acid jazz roots with funk, soul and triphop influences. He is known for his marathon style of DJ sets that often exceed more than six hours of play time. Occasionally, he uses cut up recordings of voice-over children’s stories and nature documentaries to create surreal and silly stories in his tracks. Mr. Scruff is an avid record collector and his DJ sets reflect on this as he includes everything from the ’60s and ’70s soulful jazz and funk, scratchy old reggae clips, classic hip-hop beats, vocal pop and electro.


Mr. Scruff is the recording name of Andy Carthy, a British DJ and artist that has been in the music scene since 1994. His DJ name was inspired by his scruffy facial hair, as well as his trademark loose-lined drawing style. Mr. Scruff’s album covers, music videos and merchandise on his official website are noted for his signature cartoon style. All the cartoons are drawn by Scruff himself and he labels the style of his drawings as “potato style”. The images and animations created by Scruff are projected on a large screen during his live shows. He said in an interview with BBC,

“It’s about putting a lot of effort in and paying attention to detail. I get annoyed if I don’t take risks. I’m very hard on myself.” -Mr. Scruff

Mr. Scruff’s love for a “nice cup of tea” has grown into his own tea brewing business. He began selling tea from a small Manchester club called ‘The Music Box’, where he was resident DJ and gave the proceeds to charity. When Mr. Scruff started touring, he took the tea enterprise with him and gained a reputation for being the DJ with the teashop. When performing at festivals, such as ‘Big Chill’, he opened tea stalls and tents that were open for the duration of the music festivals. After realizing the amount of tea he was selling, he started an online tea company, “Make Us a Brew,” and produces his own Mr. Scruff variety of tea bags.

There are four different organic bundles of tea offered on his website that include:

• Mint & Chilli– A blend of organic spearmint and peppermint with a twist of chilli for an extra mini-tickle factor, without going over the top.




• English Breakfast The official make us a brew! Tea caddy, featuring Mr. Scruff’s quest for the perfect brew. Complete with 50 proper organic English breakfast teabags that are full bodied, malty & fantastic anytime.




• Big Chill – Organic rooibos, pear and cinnamon, with valerian, for a lovely relaxing brew.
  (Inspired by the Big Chill music festival)




• Look Lively – Organic lemongrass, yerba maté and mint for a proper uplifting brew. Guaranteed to keep you on your toes! Has been described as “Ecstasy in a mug” by Monkeymag.co.uk

Resources:

MrScruff.com

MakeUsABrew.com

Emancipator

(Artists similar to Emancipator: Little People, Bonobo, Nightmares on Wax)

  @Emanc

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Emancipator – Oasis

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Emancipator – First Snow

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Emancipator – Nevergreen

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Chillax on the couch, sip on a warm cup of green tea and immerse your mind in Emancipator’s clean production of mellow break-beat rhythms. Emancipator’s music has a unique style of combining triphop roots with jazz, classical, and electronic influences. Emancipator is best known for his subtle buildup/breakdown, headnodic beats, hypnotizing bass and extended harmonic patterns with the use of tonal harmonies. The naturesque soundscapes of Emancipator’s music provides lucid imagery to the listener while supporting the compact layers of violins, electric/acoustic guitar, choirs, horns, banjos, bass, drums and piano.

Emancipator (Doug Appling) is a producer/musician from Portland, Oregon. Emancipator started violin lessons when he was 4 years old and later picked up the guitar, drums and bass. Growing up, he played in a few bands. When Appling was in high school, he started experimenting with music production software such as Acid Pro and Reason which really opened up new opportunities for him to create his own music and sounds. At the age of 19, he self-released his first album, “Soon it Will Be Cold Enough,” in 2006. A Japanese producer by the name of Nujabes found interest in the “Soon it Will Be Cold Enough” album and was able to press and sell 5,000 copies in the first six months of release. The album blends violin strings with artful piano lines that resonate before the drum beat responds to set the perfect tempo, allowing the listener to discover the wintry setting that Emancipator has cleverly created. He played his first live show in 2009, opening for Bonobo, Eskmo, and Gigantic. Doug Appling said in a Lost in Sound interview,

“It’s been a thrill to play with so many artists I respect and have been listening to for years, and to discover a great number of new artists at the same time.” -Emancipator

Emancipator has recently received a Puma sponsorship and one of his songs titled “Maps” was played at the Bejing Olympics. His latest album “Safe In The Steep Cliffs” blends his signature sound with new instruments (banjo, horns, mandolin). Emancipator is distinguished in his ability to combine different sounds and layer them so smoothly. Tremolo strings start it off, which fade into a plucked guitar pattern accompanied with a strong bassline that follows the piano. Emancipator is able to lay down subtle break-beat rhythms without disrupting the solid groove that is already in place. Doug Appling describes “Safe In The Steep Cliffs” on his website,

“This album has a new palette of sounds and samples from around the world, including more original recordings (guitar/violin/mandolin/banjo) and new guest artists including Japanese jazz musician Uyama Hiroto. It’s ominous and overgrown, dense and ethereal. And epic. Always epic.” -Emancipator

Appling seems to follow his signature formula for this album by creating electric guitar riffs that are thrown over the piano line. The guitar and piano fade out after a slight pause which leads to a mellow synth rhythm for a break, until it reappears and fades again into the darkness of a forestry landscape that has been painted for the listener. Emancipator’s ability to make the music flow naturally by layering different sound elements on top of a cadent drumbeat makes for a truly intriguing listen for any instrumentalist or triphop fan.

Resources:

EmancipatorMusic.com/

Emancipator Interview by Lost in Sound