Category: Instrumental Hip-hop


Artists similar to Dr. Blaster: St. Germain, Telepopmusik, Cool Blu






Dr. Blaster – Almost


Dr. Blaster – Green Mint


Dr. Blaster – Summer Breeze





Are you looking to uplift your mood and invigorate your mind? If so, “Music Therapy” is just what Dr. Blaster has ordered. His relaxing melodies are layered over soothing, trance-inducing beats that will captivate the listener while guiding them through a serene dream-like setting. Dr. Blaster’s jazzy arrangements are elegantly mixed with hypnotic basslines and elements of hip-hop and downtempo beats throughout. His immense musical talent shines through on his all of his released albums which are available for free download.

Dr. Blaster grew up in Brussels, Belgium and was born in 1991. He played drums for awhile during his childhood and later became interested in producing music using various computer programs. He has been producing different genres of music for 7 years from dubstep and drum&bass to hip-hop and lounge music. He explained to Organic Sound,

“My brother, who was starting some audio engineering course, introduced me to computer music. This was a huge revelation! I have to say he taught me almost everything I know about music, and I’m grateful for it.” -Dr. Blaster

Dr. Blaster’s vision of music and the way he listened to it dramatically changed when he decided he wanted to produce his own music. When Dr. Blaster first started producing, he began to really analyze music which helped him form his own unique style of clean production. He said,

There are lots and lots of artist that influenced me, but to keep it short, and in “Music Therapy”‘s mood, I’ll say, “80’s Casual,” “UM (le villain)” especially with “Rare & Limited Beats Vol. 1,” “heRobust,” “Thriftworks” (Pillows in the Wood), “Onra,” “St. Germain” and Gramatik’s drums.
-Dr. Blaster

Dr. Blaster first started producing Electro music in the band “The Steppin’ Brothers” (Arthur Tixhon, Solo 700, and Blaze Rod) from 2008 to late 2011, then he joined “Colonel Up and Mister Down” and produced deep/oldschool dubstep with the same guys.

He decided to slow down a bit with “Colonel Up and Mister Down” and started his own side-project. At that time, he was Koan Sound’s biggest fan, and due to their influence, he began a hip hop project with heavy bass and big drum sounds. Dr. Blaster slowly drifted more toward mellow and chillhop vibes. He is currently working on some loungy tunes along with instrumentals for a couple of MC’s.


RJD2

Artists similar to RJD2: Ratatat, Wax Taylor, The Xx



  @RjD2



RJD2 – Smoke & Mirrors


RJD2 – 1976


RJD2 – Ghostwriter




Rjd2’s music is a collage of hip-hop production that combines disparate elements to make for soulful, moody portraits of the world. RJD2 (born Ramble John “RJ” Krohn on May 27, 1976) is an American music producer, singer and musician. His sound is comprised of east coast hip-hop roots fused with funk and rock influences. RJD2 was born in Eugene, Oregon; and raised in Columbus, Ohio. He currently resides in Philadelphia. He was signed to the Definitive Jux label where he released two largely instrumental hip hop albums and has produced tracks for many prominent rappers. However, he has now left Def Jux and has signed with XL Recordings. His 2007 album, The Third Hand, is a striking departure from his usual style and features RJD2 singing and playing instruments on nearly every track.


RJD2 originally began his career in Columbus, Ohio, DJing in 1993 with a pair of turntables bought from a friend. He went to high school at Fort Hayes Metropolitan Education Center, where his mother taught dance, and graduated in 1994. He claims his name originates from another friend who referred to him as “Rjd2” in his raps, and the name stuck. Originally working the role of DJ in the Columbus rap group MHz, he later signed to Bobbito Garcia’s Fondle ‘Em label, releasing the self-proclaimed “mix CD” Your Face or Your Kneecaps. A year later he signed to El-P’s record label Definitive Jux and released his solo debut album Deadringer to much acclaim. Rjd2 later collaborated with Columbus rapper Blueprint under the name Soul Position, releasing Unlimited EP in 2002 and 8 Million Stories in 2003. He released his second solo album Since We Last Spoke on Definitive Jux in 2004 and released Soul Position’s second album Things Go Better with RJ and AL in 2006 under Rhymesayers Entertainment label. He still continues to produce tracks, working with many independent rappers, such as Copywrite, Cunninlynguists, Cage, DOOM, Diverse and Aceyalone. He contributed a cover of “Airbag” by Radiohead for the 2006 album “Exit Music”. 2006 also saw the release of the collaborative record “Magnificent City” with Aceyalone. In 2007, he released the solo album The Third Hand on XL Recordings, which he toured for extensively in ’07 and ’08.



In 2009, RJD2 established his own label, RJ’s Electrical Connections, and reissued Your Face Or Your Knee Caps, The Horror, and Since We Last Spoke as well as a box set entitled “2002-2010”. RJD2’s new full length The Colossus was released on January 19, 2010 on his own label, which is distributed by The Orchard. On January 7, 2010 a music video for “Let There Be Horns” premiered on Pitchfork followed by a video for “A Spaceship For Now” on March 3, 2010, directed by Michael Ebner, via SPIN Magazine. In 2010, RJD2 remixed indie rockers Yo La Tengo’s single, Here To Fall for the Here To Fall Remixes EP which included remixes by De La Soul and Pete Rock.

Gramatik

(Artists similar to Gramatik: RJD2, Sound Providers, Pete Rock)


  @Gramatik





Gramatik – Itz Over


Gramatik – DreamBIG


Gramatik – Adriatic Summer Nights





Kick back and relish in the solace of immaculately produced hip-hop beats and instrumentals made by Gramatik. His delightful musical style blends hip-hop roots with jazz, soul and blues influences. Gramatik’s ability to apply a hypnotic groove with layers of vocal samples, sounds, references, and metaphors has continued to fascinate those who have stumbled across his music. He is distinguished in his effort of using chordal patterning and tonal harmonies to create a clean and cohesive sound.


Denis Jasarevic, better known as Gramatik, is a hip-hop producer from Slovenia who is currently signed with the Pretty Lights Music record label. This Slovenian producer was heavily influenced by American music early in his childhood, absorbing anything from funk and jazz to soul and blues. When Gramatik was in the 2nd grade, he started taking piano lessons at his elementary school. He later received private piano lessons which opened his eyes to learn to play music like the Beatles and rhythm and blues in general. In the 4th grade, he formed a band with a few of his classmates and became the youngest band in the history of his elementary school while playing school events regularly.


As soon as Gramatik reached high school, the discovery of hip-hop music had taken over and he was compelled by the power of the rhythmically accented poetry. He studied the ways of an MC and started writing his own rhymes while his friends were amazed by his flow and delivery since there were no hip-hop artists in his home town of Piran, Slovenia. Throughout the years producing beats day by day he felt more compelled by the craft and magic of music production. It wasn’t long until he discovered a niche in sound and voice sampling which became his true love in the music making process, chopping up all those old funk, soul, blues and jazz tracks he used to listen to when he was younger.



Gramatik’s Beatz & Pieces Vol. 1 (album available for free download on Pretty Lights Music) is his first release on PML record label and builds on the mellow vibes created from his last release No Shortcuts and the Street Bangerz mix-tape series. Gramatik explains on the PLM website,

“The Beatz & Pieces series comes as a successor to the popular Street Bangerz series which was my first work as a producer. They are still raw, sample based beats, but with evolved arrangements and wrapped in a fine layer of live instrumentation. The reason I started adding live instruments is because I felt that classic hip-hop beats without vocals lose me after two minutes. I want to keep the listener through the whole track!” – Gramatik